白色海洋 | 複合媒材
氣候暖化，海水溫度上升，外加施工泥沙等因素，導致綠島石珊瑚群現出詭麗之色：白色末端透著粉紅、粉橘、粉綠、粉藍……斑斕的色彩卻是死亡的訊息，昭告著共生的珊瑚蟲、藻類在生命消逝前的殘影。為此，藝術家以打包帶為媒材，慢工手藝程序的身體勞動過程，形成連續彎折輻奏連綿的幾何架構，漸次展開與海洋的緊密連結，編織出〈白色海洋〉的記憶圖景，輔以投影裝置與燈光，形構出「會發光的雕塑」，傳達人類誤讀的美麗實為駭麗的臨終殉美。
White Ocean | Mixed media
Climate change, rising sea temperatures, and excess sediment runoff from construction sites have caused Green Island’s stony coral to turn white with pink, pink-orange, pink-green, and pink-blue at the tips. Despite the “beauty,” it is a sign that the coral polyps and algae, which live symbiotically, are dying. Inspired by this, LIN spent an extensive amount of time creating a twisting geometric framework with takeout meal bags, presenting coral’s closely knit relationship with the sea. Light and projected imagery make it glow brilliantly to show that what humans mistake for beauty is actually a harbinger of death.
白色海洋 | 複合媒材
氣候暖化，海水溫度上升，外加施工泥沙等因素，導致綠島石珊瑚群現出詭麗之色：白色末端透著粉紅、粉橘、粉綠、粉藍……斑斕的色彩卻是死亡的訊息，昭告著共生的珊瑚蟲、藻類在生命消逝前的殘影。為此，藝術家以打包帶為媒材，慢工手藝程序的身體勞動過程，形成連續彎折輻奏連綿的幾何架構，漸次展開與海洋的緊密連結，編織出〈白色海洋〉的記憶圖景，輔以投影裝置與燈光，形構出「會發光的雕塑」，傳達人類誤讀的美麗實為駭麗的臨終殉美。
White Ocean | Mixed media
Climate change, rising sea temperatures, and excess sediment runoff from construction sites have caused Green Island’s stony coral to turn white with pink, pink-orange, pink-green, and pink-blue at the tips. Despite the “beauty,” it is a sign that the coral polyps and algae, which live symbiotically, are dying. Inspired by this, LIN spent an extensive amount of time creating a twisting geometric framework with takeout meal bags, presenting coral’s closely knit relationship with the sea. Light and projected imagery make it glow brilliantly to show that what humans mistake for beauty is actually a harbinger of death.
參展藝術家｜林淑鈴
擅長布袋戲偶服飾製作，1995年接觸海洋攝影，自此著迷海洋之奧秘與生命型態，2010 年移居花蓮，精進編織技術，成為創作主力。作品展現燦爛熱情，洋溢生命力，曾受邀於法國、墨西哥展出。近年活躍於大型藝術裝置，於故宮南院、台北當代、台灣美術館、東海岸大地藝術季、台東縱谷大地藝術季展出。
Artist | LIN Shu-line
LIN Shu-line excels at making glove-puppet costumes. She got into marine photography in 1995 and has been mesmerized by the sea’s mysteries and life ever since. In 2010, she moved to Hualien and focused on weaving. Her vitality-saturated work has shown in France and Mexico. Recently, she has focused on large installations, showing at the National Palace Museum (Southern Branch), MoCA Taipei, the National Taiwan Museum of Fine Arts, the TECLandArts Festival, and the East Rift Valley Land Art Festival.
參展藝術家｜林淑鈴
擅長布袋戲偶服飾製作，1995年接觸海洋攝影，自此著迷海洋之奧秘與生命型態，2010 年移居花蓮，精進編織技術，成為創作主力。作品展現燦爛熱情，洋溢生命力，曾受邀於法國、墨西哥展出。近年活躍於大型藝術裝置，於故宮南院、台北當代、台灣美術館、東海岸大地藝術季、台東縱谷大地藝術季展出。
Artist | LIN Shu-line
LIN Shu-line excels at making glove-puppet costumes. She got into marine photography in 1995 and has been mesmerized by the sea’s mysteries and life ever since. In 2010, she moved to Hualien and focused on weaving. Her vitality-saturated work has shown in France and Mexico. Recently, she has focused on large installations, showing at the National Palace Museum (Southern Branch), MoCA Taipei, the National Taiwan Museum of Fine Arts, the TECLandArts Festival, and the East Rift Valley Land Art Festival.