我是女人，我是獵人 | 紀錄片、裝置
太魯閣族的傳統社會結構嚴謹，男女分工，狩獵文化以男性為主，女性操持勞務農耕，兩性界定嚴格，一旦觸碰禁忌規範，便會為家族帶來厄運。本片導演記錄其母親Heydi如何跨越傳統禁忌與性別差異，以獵人的腳步走向獵場，走出傳統，成為一名獵人。影片透過Heydi的自述及影像的轉譯，慢慢由一位女性獵人帶路，進入屬於女人的狩獵世界，探索人與自然的共生與平衡關係。
Woman the Hunter | Documentary, installation
The structure of traditional Truku society was strictly ordered with different duties assigned by gender. Hunting was reserved for men, while women did the farm work. It was believed that those who crossed such gender-based boundaries would bring misfortune onto their families. This documentary shows how the director’s mother, Heydi, transcended the traditional taboo and became a hunter. Based on Heydi’s narrative and the imagery, we see how she made her way into the realm of hunting and explored humanity’s relationship of coexistence and balance with nature.
我是女人，我是獵人 | 紀錄片、裝置
太魯閣族的傳統社會結構嚴謹，男女分工，狩獵文化以男性為主，女性操持勞務農耕，兩性界定嚴格，一旦觸碰禁忌規範，便會為家族帶來厄運。本片導演記錄其母親Heydi如何跨越傳統禁忌與性別差異，以獵人的腳步走向獵場，走出傳統，成為一名獵人。影片透過Heydi的自述及影像的轉譯，慢慢由一位女性獵人帶路，進入屬於女人的狩獵世界，探索人與自然的共生與平衡關係。
Woman the Hunter | Documentary, installation
The structure of traditional Truku society was strictly ordered with different duties assigned by gender. Hunting was reserved for men, while women did the farm work. It was believed that those who crossed such gender-based boundaries would bring misfortune onto their families. This documentary shows how the director’s mother, Heydi, transcended the traditional taboo and became a hunter. Based on Heydi’s narrative and the imagery, we see how she made her way into the realm of hunting and explored humanity’s relationship of coexistence and balance with nature.
參展藝術家｜余欣蘭 Rngrang Hungul
余欣蘭，銅門部落太魯閣族。2010至2013年與陳安琪合作拍攝紀錄長片《野百合不枯萎》《在路上》與實驗短片《藍色─急入永久屋》《紅色─我是誰》，主題關注當代原鄉的族群遷移、離散與生命流離的種種現象。作品《Mgaluk Dowmung正在連結銅門—銅門部落家族故事影像紀錄》獲2020年Pulima藝術獎評審團獎。
Rngrang Hungul is from the Truku community of Dowmung. From 2010 to 2013, she and Thalaelethe Titibu made the documentaries Wild Lilies Don’t Wither and On My Way, and the experimental short films Blue—Urgent Move into Permanent Housing and Red—Who Am I? The pieces are about such issues as Indigenous people moving away from their home communities and the resulting displacement. This film, Mgaluk Dowmung, won the Jury Award at the 2020 Pulima Art Awards.
參展藝術家｜余欣蘭 Rngrang Hungul
余欣蘭，銅門部落太魯閣族。2010至2013年與陳安琪合作拍攝紀錄長片《野百合不枯萎》《在路上》與實驗短片《藍色─急入永久屋》《紅色─我是誰》，主題關注當代原鄉的族群遷移、離散與生命流離的種種現象。作品《Mgaluk Dowmung正在連結銅門—銅門部落家族故事影像紀錄》獲2020年Pulima藝術獎評審團獎。
Rngrang Hungul is from the Truku community of Dowmung. From 2010 to 2013, she and Thalaelethe Titibu made the documentaries Wild Lilies Don’t Wither and On My Way, and the experimental short films Blue—Urgent Move into Permanent Housing and Red—Who Am I? The pieces are about such issues as Indigenous people moving away from their home communities and the resulting displacement. This film, Mgaluk Dowmung, won the Jury Award at the 2020 Pulima Art Awards.